Sunday, December 2, 2007

Estimate of AIDS Cases In U.S. Rises

New Test Places the Rate Of Infection 50 Percent Higher

By David Brown
Washington Post Staff Writer
Saturday, December 1, 2007; A01

New government estimates of the number of Americans who become infected with the AIDS virus each year are 50 percent higher than previous calculations suggested, sources said yesterday.

For more than a decade, epidemiologists at the Centers for Disease Control and Prevention have pegged the number of new HIV infections each year at 40,000. They now believe it is between 55,000 and 60,000.

The higher estimate is the product of a new method of testing blood samples that can identify those who were infected within the previous five months. With a way to distinguish recent infections from long-standing ones, epidemiologists can then estimate how many new infections are appearing nationwide each month or year.

The higher estimate is based on data from 19 states and large cities that have been extrapolated to the nation as a whole.

The CDC has not announced the new estimate, but two people in direct contact with the scientists preparing it confirmed it yesterday.

What is uncertain is whether the American HIV epidemic is growing or is simply larger than anyone thought. It will take two more years of using the more accurate method of estimation to spot a trend and answer that question.

"The likelihood is that this bigger number represents a clearer picture of what has been there for the past few years. But we won't know for sure for a while," said Walt Senterfitt, an epidemiologist who is the chairman of the Community HIV/AIDS Mobilization Project (CHAMP), a New York-based activist organization.

There is evidence, however, that at least some of the higher number may reflect an uptick in infections in recent years. Information from 33 states with the most precise form of reporting showed a 13 percent increase in HIV infections in homosexual men from 2001 to 2005.

Ironically, the news comes less than two weeks after UNAIDS, the United Nations agency responsible for charting the course of the global epidemic, drastically reduced its estimate of the number of people living with the disease worldwide from 40 million to 33 million. The reason was the same: Crude methods of counting were replaced by better ones.

"People in the United States are under the impression that this is more of an international than a domestic issue," said Rowena Johnston, vice president for research at amfAR, an AIDS research foundation. "Yet these new CDC numbers are telling us that not only does this continue to be a serious problem, it is actually a larger one than we suspected."

A study describing the new U.S. estimate is under review at a scientific journal, Thomas W. Skinner, a CDC spokesman, said last night.

"We have to wait until this paper comes out, until it has gone through peer review, before we know what the new estimates look like," he said.

Rumors have circulated for weeks in newsletters and blogs that CDC, the federal government's principal epidemiology agency, was preparing a dramatic upward revision of HIV incidence. The Washington Blade, a gay-oriented newspaper, reported rumors of the new estimates two weeks ago.

The CDC has reported the figure of 40,000 new infections each year for more than a decade, citing it as evidence that the epidemic in this country is stable. But while widely quoted, that number has never been adequately explained or justified, in the eyes of many epidemiologists.

"There was skepticism about the validity of how that estimate was reached," said Rochelle Walensky, an infectious diseases physician and mathematical modeler at Harvard Medical School.

Some activists also were skeptical about it.

"It just doesn't seem plausible to me that it would be the same year after year," said Mark Harrington, executive director of Treatment Action Group, an AIDS activist think tank in New York.

Few doubt, however, that accurately counting new HIV infections is unusually difficult. About one-quarter of people infected with the virus do not know they are. The infection is largely "silent" for a decade in most people, and a substantial number go for testing only as they develop the symptoms of AIDS, the late stage of the illness.

Only recently has CDC put intense pressure on state and city health departments to report by name everyone who tests positive for HIV. Previously, health departments had to report only the people who had progressed to AIDS.

Counting only AIDS cases was an acceptable substitute for counting new infections in the era when AIDS treatment did not significantly prolong life. But with the arrival of combinations of potent antiretroviral drugs in 1995, AIDS patients began living years longer, making the estimates increasingly less accurate.

The new system in which health departments record individuals who have just tested positive for the first time will eventually provide a much clearer picture of the epidemic. However, some people oppose it, arguing that it will keep the potentially infected from coming in to be tested.

"There are so many barriers to testing and reporting," Harrington said. "We are grasping in the dark, as far as I am concerned, about the real size and shape of the epidemic."

The 19 states and cities that contributed the data for the new estimate include New York City, New York, New Jersey, Connecticut, Texas, Florida, and several Southern and Midwestern states.

The new method of estimating HIV incidence makes use of the observation that a person who is recently infected with HIV and whose immune system has just begun to make antibodies against the virus shows a weaker reaction in the standard AIDS blood test than those whose immune systems have been making antibodies for years.

By altering the test-tube conditions, scientists can identify those who react weakly -- and with them, the percentage of a batch of HIV tests that come from people newly infected.

The method is called the STAHRS method, for serological testing algorithm for recent HIV seroconversion.

Restoring the Root Out of A Dry Place: Glenville

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By Charlotte Morgan



Ohio State quarterback and Cleveland Glenville native Troy Smith led the Buckeyes into the game hoping to top off his collegiate football career with the trifecta--Big Ten title, the Heisman Trophy, and the BCS National Championship. Local folks wouldn’t bet against a hero who could do it all and it looked like Smith was the panacea for a place that ached to be healed through victory and restored to its former glory. But this fantasy fell short—fantasies are from the devil—the Buckeyes were badly beaten. So in the days that followed the defeat we Tarblooders reconciled our pain with the fact that Cleveland’s Glenville was in the national spotlight for an entire season and just because Mr. Smith and the Buckeyes didn’t win the 2006 National Championship, all was not lost. The neighborhood still has a remnant of pride—a root out of a dry place—that has begun to bloom the flower of restoration.



Driving around Glenville—up East Boulevard, on Grantwood Avenue and down East 105th, looking at the varied architecture, you witness the remnants of a place where residents’ pride still radiates. The remnant shards of foundations jut through dried mustard colored earth begging to be seen and recognized. “I used to be the home of or I used to be the office of—do you remember? But passers by don’t recognize the remains of a proud ethnic heritage of Jews, Italians and blacks that used to live in Glenville. Those residents were merchants, craft persons, doctors and lawyers who made the Village of Glenville their home. Too often, today’s residents are on the downside of the economic ladder—their housing subsidized and their homes filled with plump disobedient fatherless children who are the recipients of an education from a school system that too is on the downside economically. These children seemed doomed to remain in the neighborhood because their poor education lowers their earning power and thus their chances at a good life. Their uneducated past will follow them forever unless they find a means of escape. And I know from looking at the saddened faces of black folks in the neighborhood that it is hard to shake the stigma and mindset of poverty. Most people dwell on the past because their future was never bright. But there are times when we look back to the past to get back in touch with the vision of a place.

Since one of the features of the neighborhood that testifies to its state of being—its wellness—is its architecture, then Glenville is not quite dead yet. The different kinds of homes available on this side of town range from $18,000 homes on streets where gangs rule, to $200,000 homes on streets where decent law abiding residents who still take some pride in their property have gathered. In fact, one of the most visible signs of change is the clash of the aesthetic of the neighborhoods older homes with that of new homes along like those on Lakeview or Parkwood Avenue.

Those older residents remember when this was considered the Land of Goshen, a place set aside from the plagues of other urban centers—a neighborhood where there was plush greenery and nearby access to the Lake. Later after most Jews had migrated elsewhere, the pride of the neighborhood was its annual parade and festival that served as the climax of summer. This reached its zenith during the 90s. Then the prince of the city was Mayor Michael White who grew up in Glenville. He was the former student body president of The Ohio State University whose political aspirations took him all the way to City Hall.

So imagine 33 years after White was the big man on campus, Troy Smith, another Glenville Tarblooder runs the campus. Last December as Smith hoisted the Heisman trophy up, he held up an entire neighborhood. The tears of a town were shed that evening as ESPN played the film short that told the story of a young man who overcame the typical lifestyle of today’s black youth—run down neighborhood, poverty, Hip Hop socialization, peer pressure and absent father syndrome. His mother knew little about training a child up right. Troy rebelled and was put into foster care. But somewhere along the way, he continued to participate in athletics as a means of expression and release from the stress of ghetto life. Not only was Glenville the ghetto, the city of Cleveland has slumped to the position of the nation’s poorest City. However, something prevented Smith from going the way of most of his peers. He found help in a community program called BRICK.

In the ESPN film, Smith with his head held up high bragged about the BRICK program that saved his life. He learned pride from a young black man who believed in the future of our young people. There was a photograph of a scrawnier Troy wearing coincidentally, red and black—the colors of his soon to be high school—posing with other rescued youth. His mother who gave him up talked about her son and how he was always a leader and he always had a vision for his life and his neighborhood—Glenville.

The story of Smith’s life was accentuated with the actual Heisman trophy that served as an icon of victory over life. It was strategically placed in the locker room at Bump Taylor Field while Coach Ted Ginn Sr. stood in the midst of his players—their eyes all on the prize. Smith himself walked across what looked like the Lorain Carnegie Bridge and patted the statue not rubbing it for luck, but in a manner that claimed the trophy in a victory—he had as a young black man overcome the streets of his neighborhood, found a family and father in Coach Ginn, and used sports to get an education. And even before he had received his Bachelor’s Degree last summer, Smith had blossomed into a visionary and leader thereby rebuking the Hip Hop schema for life—glorify the misery of having no money, no education, and no father by joining a gang, and becoming a martyr to the hood. That’s why Smith’s story is an important part of the neighborhood of Glenville’s story.

You know it will take leadership and unprecedented hope and vision for the neighborhood to be restored to its former glory—that’s why the tears are shed. When Smith returned to the neighborhood, a proud community celebrated along with him. Smith came home to a hero's welcome as the city celebrated one of its sons winning the Heisman with an emotional celebration at Glenville High School, “Home of the Mighty Tarblooders,” the school Smith has credited with saving his life.

“You stayed focused in the classroom, the football field and in life,” said Dr. Eugene Sanders, CEO of Cleveland schools. “Out of Cleveland, Ohio, came greatness,” he said. And it was declared “Troy Smith Day.” Mayor Frank Jackson gave the quarterback who hopes to play for his hometown Cleveland Browns, the key to the city. “This definitely ranks at the top,” Smith said. “I'm a Tarblooder through and through. That's me.”

Smith’s success story proves that this neighborhood remains a breeding ground for success regardless of the economic blight that you see driving down its streets.

The neighborhood's lakeshore location and scenic qualities attracted many of the regions wealthiest individuals by the time of its incorporation in 1870 as the Village of Glenville. Nationally, Glenville was known as a center of horse racing and later auto racing. The track was built in 1870 at the Northern Ohio Fairgrounds and operated until 1908 when it was moved to North Randall.

Located along Martin Luther King, Jr. Drive and East Boulevard is Rockefeller Park. Walkways, picnic areas, beautiful landscape, and recreation opportunities create a wonderful day in the park. This section of Glenville was a gift from John D. Rockefeller himself and named in his honor. Not to be missed are the Rockefeller Green House and Gardens just before the entrance to the Shoreway (I-90).

Located within the Park are the Cultural Gardens. The gardens are visible along Martin Luther King, Jr. Drive, though the best way to experience them is on foot. These gardens pay homage to Cleveland's diversity and cultural heritage. The gardens began in 1916, dedicated in 1939, have recently been restored with bulbs and flowers that make a spring drive through the park a necessity.

In addition to access to the lake and fishing at Gordon State Park and Marina, Glenville has other recreation opportunities including a city recreation center, the YMCA-Midtown East, and Forest Hills Park and Pool.

Also at the time of its incorporation, Glenville was a semi-rural area known as the “garden spot of Cuyahoga County” because of its numerous vegetable farms. The community's scenic qualities and lakeshore sites also attracted many of the region's wealthiest residents. Nationally, Glenville was known as a center of horse racing and, later, auto racing. The track was built in 1870 at the Northern Ohio Fairgrounds and operated until 1908, when it was moved North Randall. By 1905, Glenville was annexed to Cleveland in 1905.

Residential and commercial development in Glenville was most intense during the period between 1900 and 1930. East 105th Street emerged as the center of business activity, and its many fine stores earned it the title of Cleveland's “gold coast”. The street also became a prime address for religious institutions. Among the largest and most architecturally distinguished buildings on East 105th Street today are those of the Cory United Methodist Church (home of the Park Synagogue congregation between 1922 and 1947) and the Abyssinia Baptist Church (also built as a synagogue in 1920).

By the 1970's, Glenville's fortunes had taken a turn for the worse. Population loss and declining household incomes, together with the nationally reported racial rioting in 1968, resulted in widespread deterioration and business vacancies along East 105th Street and along adjoining segments of St. Clair and Superior Avenues.

For the history of the neighborhood, read John T. Moriarty's book, “One Square Mile of Mayhem” which is about a teenage Irish boy facing the dilemma of growing up in the racially torn neighborhoods of Glenville and Collinwood. Moriarty’s family owned a delicatessen where black and Irish gangs hung out and battled. Gangs still plague the neighborhood today. Breaking free of them and that mindset is hard for black youth. Some black youth survive by playing sports like Smith. Pierre Woods made it out of the neighborhood by playing sports. He lettered in two sports at Glenville High School. He was a Defensive Lineman at Michigan and signed with the New England Patriots as an undrafted rookie free agent in 2006.



“It's a long process,” Woods said. “Some kids can get distracted. Most want to be off doing other things. There are little street gangs on different blocks. Some families are not stable. You've got to stay focused.” -- Glenville native Pierre Woods, New England Patriots.



If a city is like a woman, then her beauty is found in her features—for the face of a city is formed or seen in its communities. Glenville then has been an unattractive feature of this ugly woman Cleveland. This neighborhood which borders the north and east of Cleveland is run down with its boarded up houses and empty lots of land where strewn garbage makes its home. The street corners are manned by gang member sentries who wear dark clothing and hooded jackets; their uniform’s most noted feature are the jeans that cup the curvature of their buttocks holding on for dear life. Dingy boxers and briefs make their ill-mannered presence known to all—these are in actuality the prisoners who once held us all captive in Glenville. These are the young people of Tarblooderville. So if you believe children are our future, then things looked bleak in Glenville until that night in December when Ohio State quarterback Troy Smith who lived on East 112th Street off Saint Clair, raised up the Heisman Trophy Award which recognized his remarkable achievement not just as a college athlete, but also as a survivor of a city and neighborhood’s hopelessness for out of that despair was forged a hero from Glenville High School. One from a nationally recognized program of hope—ranked sixth in the nation--created and nurtured by Tarblooder Coach, Ted Ginn Sr., the 2006 High School Coach of the Year. When Troy Smith transferred to Glenville, was accepted at Ohio State and was suspended by the University for taking money, all was near lost. And as with his neighborhood there remained in Smith a root out of a dry place called hope and it was nurtured by Ohio State Coach Jim Tressel and his “father” Glenville Coach Ted Ginn Sr. The hardworking Smith never lost hope, turned his life around and saw the fruits of his labor—the Heisman Trophy.



“Ted Ginn Sr. saw an amazing 21 of his Tarblooder players sign college scholarships in 2006, 15 of them with Division 1-A schools, and every single one of them was academically eligible to play this season. As great as that is, Ginn has much bigger plans to reach out and help youngsters on and off the football field.” Jim Johnson, The CourtMaster Blog



The Tarblooder is the mascot of Glenville High School, my alma mater. The name is synonymous with laborers at the old Glenville Tar factory as well as a battle cry for high school fans at football game who threatened to beat the ‘tar and blood’ out of their opponents. The actual mascot is a robot. Most of the people who attended the school believe they are Tarblooders for life. As the fortune of the school has blossomed athletically, so has the desire for Glenville gear. One of the biggest fans of the school and the neighborhood is Ginn, who has been seen in the stands at OSU games wearing ‘black and red The Ville” gear and cheering for his son, the galloping Teddy Ginn, Jr., the speedster wide out who is opting out of his final year of college to join the NFL draft this year. Coach Ginn provided a definitive answer to the question of what is a Tarblooder.



“A Tarblooder was a railroad worker whose job was to smear hot tar on railroad ties after they were laid to seal them and hold them in place. It was difficult work to say the least. The mixture of tar, dirt (and most certainly the occasional real blood) and sweat pouring off of these men gave the impression of blood. These were men who truly ‘sweat blood’. Now, you think two-a-days are tough?” Glenville Coach Ted Ginn Sr. Class of 1974.



Ginn’s program started about five years ago, with eight athletes, a van and a few bucks for gas. His foundation’s, “Road to Opportunity” Division-I Combine Tour, “Enables players otherwise overlooked, to showcase their talent, visit the university, take the entrance exam and make off the field friendships. Many of these kids have never traveled outside of Cleveland,” said Ginn. His vision—he reportedly took out a second mortgage on his home--for making a change in the community birthed the foundation and resulting tour. “It's never just about football, but making a way for our kids to be successful.”

Ginn has announced plans to expand the tour schedule from one highly respected mid-west regional tour into a nationwide tour beginning with adding a southern region. “The foundation hopes this will be big news to Texas high school coaches, student-athletes and major universities as Ginn’s amazing track record has garnered national attention for selling the talents of otherwise overlooked, inner city kids into full-ride scholarships at major universities,” writes a reporter from NewswireToday.com.

A high school is often the centerpiece of pride in a community. Men like Ted Ginn who restored his alma mater’s name, realize one way to revitalize the neighborhood is through education and athletics—his vision for his players includes bringing wealth to their families and their neighborhood. And residents support their children as they participate in sports. While many heroes of hope escape through sports, Glenville gave birth to non-athletic notables. The school was home to Jerome Siegel and Joseph Shuster, best known as the creators of the DC comic book icon, Superman. Sports writer Hal Lebowitz, Maury Feren, the produce king went there, and Harlan Diamond of Executive Caterers. Actor Ron O’Neal, best known for portraying the iconic drug dealer, “Superfly” was also a Tarblooder as was actor and comedian, Steve Harvey best known for the self-named half hour sitcom which still airs weekdays on the TBS cable network. While athletes like Smith are well known heroes, operating in the political arena are lesser-known heroes who labor to restore the neighborhood.

Ward 8 councilwoman Sabra Scott Pierce (D) Council Majority Leader is an unsung neighborhood champion. In her second term, Scott can cite progress in the restoration of her ward—new housing projects, new retail outlets, increased services and decreased crime--but socio-economic challenges remain the greatest challenge. With new mayor Frank Jackson, Pierce has found that her ward is finally getting some of the city’s services it needs.

“The streets are being cleaned with regularity and the police presence has been increased. Our residents have jobs, attend school and take care of their property for the most part. Our job is to respond to the needs of the community. And having a mayor like Frank Jackson who was a councilman in office means that he knows how to respond to residents. In fact, there was a building at the corner of Greenlawn Avenue and East 105th that I have been trying to get torn down for years, but with the new administration, I was finally able to get it down because Jackson was city council president, he’s been able to get things done faster,” she says. “The most effective means of making change in the neighborhood is for concerned citizens to attend our meetings so that they can learn the process of making change. We all want to see the neighborhood restored. The history of our neighborhood is important; but we want a bright future as well. That means we all work together. You can’t just complain but not pick up the trash on your property. If everyone picked up the trash on their property whether they rent or own, what an impact this would make.”

As far as crime is concerned, Scott wants parents to get involved in policing their children. “I want to start a campaign in this ward, ‘get your kids off the corner’. When we look at the police reports, the suspects have been arrested on the corner of their street. These people are committing crimes right on their street because their parents don’t know where their kids are—get your kids off the corner.”

According to Scott a longtime Glenville resident, the summer months are challenging in the fight against crime because many young people are hungry. “When they’re not in school, they’re not getting fed. We need programs to feed these people in the summertime. Much of the petty crime—like when they broke in your car and stole your CD player—was perpetrated by a young person trying to get money to eat.” These kids need something to do. They need jobs. So the plan is to reduce crime, create jobs and build affordable housing.

The vision for the neighborhood is to infuse new housing with old—this ensures that historic sites like the Amasa Stone House facility on East Boulevard and 105th Street is renovated. The 13 Heritage Lane homes also on East 105th Street between Ashbury and Wade Park Avenues are historic grand houses that are a showstopper on Glenville’s southern edge. According to the Famico Foundation website, “Glenville’s Heritage Lane neighborhood is a microcosm of Cleveland’s neighborhood history; flourishing followed by decline followed by urban revitalization with resident determination. A snapshot of change, re-birth and a story of hope: a neighborhood can house thrive again with a strong core of residents, institutions, businesses and community organizations.”

These side-by-side, two-and-a-half story wooden duplex structures built in 1910 reflect the prevalent American Foursquare style of architecture. The area was a popular destination for middle class and immigrant families looking for industrial work in the early 20th century, In the 60s, Glenville gained recognition during the Civil Rights Movement when Dr. Martin Luther King addressed a crowd of 10,000 at the neighborhood’s Cory Methodist Church. Later, Malcolm X delivered his famous “The Ballot or the Bullet” speech at the same podium.

Further north on Superior and 102nd, is the $4.7 million Parkside Townhomes—a new homeownership opportunity that was developed in part by Cleveland Cavaliers star Lebron James.

“The Parkside Townhomes will be a welcome addition to the Glenville neighborhood offering homebuyers of all ages a quality housing product, in a park-type setting that is near work, bus transportation, the interstate, and Cleveland's numerous and popular amenities, including University Circle,” said Councilwoman Scott. University Circle is becoming integrated into what is now considered the neighborhood of Glenville.

The amenities of a first class symphony orchestra and museums are juxtaposed with the run down houses and vacant storefronts of the neighborhood. But today we have a first class high school, new retail outlets, new homes, less crime and hope. Scott believes that by rekindling pride in neighborhood, reducing crime and partnering with developers, church leaders and residents, that Glenville can be restored to its former glory in what is one of the city’s greatest locations.



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Photo Credits for C. Morgan's article are as follows:
Stacie L. Brisker/Sepia Sirens 2007

Friday, November 30, 2007

BABY GRACE IDENTIFIED


Photo of child who looks like the murdered Baby Grace. Mom meets man online and it leads to murder. Imagine that. When will you guys learn?

Police Make Tentative Identification, Arrest Texas Couple
By GINA SUNSERI AND TED OBERG

Nov. 26, 2007 —

She was the little girl with the big blue eyes and the long, blond hair known as Baby Grace. Now, police have tentatively identified her as 2-year-old Riley Ann Sawyers.

The child's pregnant mother, 19-year-old Kimberly Ann Trenor, and her husband, Royce Clyde Zeigler, Riley's stepfather, who live in Spring, Texas, just north of Houston, are both charged with injury to a child and tampering with evidence.

Hundreds of tips from around the world poured into the Galveston County Sheriff's Office after a fisherman discovered the little girl's body stuffed in a plastic trunk in late October and abandoned along a Texas waterway.

One of those tips involved Riley Ann Sawyers, a little girl who had been last seen in July when Trenor reportedly gave her to someone who presented her with custody documents that appeared legitimate, ABC News' Houston affiliate KTRK first reported last week. The child was never, however, reported missing to police.

Late last week, detectives requested DNA samples from eight families with missing children resembling Baby Grace. One of the samples was submitted by Riley's father, Robert Sawyers of Mentor, Ohio.

The tip that Baby Grace could be Riley came from Riley's paternal grandmother Sheryl Sawyers, who phoned investigators after she saw a sketch of Baby Grace on the Internet.

"There isn't a day that does by that I don't think about her," Sheryl Sawyers told KTRK.

When the little girl's body was found Oct. 29, investigators didn't have much to go on to identify her. They called in renowned forensic artist Lois Gibson who came up with a sketch of the girl whom detectives called Baby Grace. Gibson felt an overwhelming need to help determine the little girl's identity. "I needed to know the name of this girl and I needed this to be over with," Gibson said.

When Baby Grace was found, she was wearing a Target-brand pink, flowing skirt, a pink shirt and white light-up tennis shoes with purple flowers on them. For a brief time investigators looked into the possibility that the child's body was that of Madeleine McCann, a 4-year-old British girl whose disappearance from a resort hotel in Portugal in May has made international headlines, but quickly ruled out a connection to that case.

Riley Ann Sawyers' biological parents met when her mother was in high school in Mentor, Ohio. Relatives say Trenor met Zeigler over the Internet and moved to Houston to be with him.

Sawyers, Riley's biological father, is devastated. Maj. Ray Tuttoilmondo, spokesman for the Galveston County Sheriff's Office, says more information will be released this morning.

For now, Riley's mother and stepfather are being held on $350,000 bond. It will take several weeks for the results to be returned from the DNA testing that will prove conclusively that Baby Grace is Riley Swayers.

The Associated Press contributed to this story.

Copyright © 2007 ABC News Internet Ventures

Friday, August 10, 2007

BUSH ADVISOR TALKS ABOUT REINSTATING THE DRAFT





WASHINGTON (AP) - Frequent tours for U.S. forces in Iraq and Afghanistan have stressed the all-volunteer force and made it worth considering a return to a military draft, President Bush's new war adviser said Friday.

"I think it makes sense to certainly consider it," Army Lt. Gen. Douglas Lute said in an interview with National Public Radio's "All Things Considered."

"And I can tell you, this has always been an option on the table. But ultimately, this is a policy matter between meeting the demands for the nation's security by one means or another," Lute added in his first interview since he was confirmed by the Senate in June.

President Nixon abolished the draft in 1973. Restoring it, Lute said, would be a "major policy shift" and Bush has made it clear that he doesn't think it's necessary.

The repeated deployments affect not only the troops but their families, who can influence whether a service member decides to stay in the military, Lute said.

"There's both a personal dimension of this, where this kind of stress plays out across dinner tables and in living room conversations within these families," he said. "And ultimately, the health of the all- volunteer force is going to rest on those sorts of personal family decisions."

The military conducted a draft during the Civil War and both world wars and between 1948 and 1973. The Selective Service System, re- established in 1980, maintains a registry of 18-year-old men.

Rep. Charles Rangel, D-N.Y., has called for reinstating the draft as a way to end the Iraq war.

Bush picked Lute in mid-May as a deputy national security adviser with responsibility for ensuring efforts in Iraq and Afghanistan are coordinated with policymakers in Washington. Lute, an active-duty general, was chosen after several retired generals turned down the job.


Copyright 2007 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Editor's Note: Let's see how many of you are still thugs once the draft starts.

Sunday, August 5, 2007

Third "Bourne" Installment Wins Box Office Battle



SUNDAY AM: Universal told me that 1 The Bourne Ultimatum rocked the North American box office by opening to $24.5 million Friday and $25.4 million Saturday for a $70.1 mil weekend from 3,660 theaters. (Rival studios pegged the total at $69 mil.) That's 42% market share in theaters crowded with summer blockbusters for the near perfectly reviewed pic and a bigger domestic debut than any Bond pic. Though Matt Damon has transformed himself from Pretty Boy to Danger Guy, 57% of moviegoers said he was the main reason for seeing The Bourne Ultimatum, skewing female, while 68% said it was the action, especially among younger males. Other Saturday night exit polling showed the movie attracted an audience 52% male and 48% female, made significant inroads with minorities (13% African Americans, 12% Hispanics, 7% Asians), and skewed age 30 and older (57% vs 43% under 30). The vast majority of the audience (94+%) had seen prior Bourne movies and 60% said that was the main reason for seeing the threequel. It did more than twice the June 2002 original The Bourne Identity (which opened to $27 mil) and way more than the July 2004 sequel The Bourne Supremacy (which debuted to $53 mil). Ratings of the movie broke down to 80% "Excellent/Very Good", 40% "Excellent", and 55% "Definitely Recommend". Another strong sign was this PG-13 pic's per screen average Saturday, a healthy $6,950. The only bad news is that I hear script tweaks and reshoots made the price of this Bourne creep upwards to $110 mil. But its domestic and international ticket receipts should hand Universal a hefty profit, nonetheless.

Bourne doesn't start to roll out until next weekend internationally where The Simpsons Movie continues to dominate the rest of the world. It is still No. 1 in most territories with some of the Industry's best 2nd weekend ever s (except France and Spain where Disney / Pixar's Ratatouille opened this weekend) and boasts 40% market share. Homer, Marge and the rest of the family made $47.3 mil from 75 overseas markets this weekend for a $187 international total. In North America, 20th Century Fox told me Simpsons raked in another $25.6 mil weekend (-65% from last) from 3,926 theaters for a new gross of $128.5 million in just one week's time. Though a four-quadrant hit, the toon is drawing heavily on kids since it went up 19% from Friday ($8.1 mil) to Saturday ($9.6 mil) when matinees rule.

No. 3 was the live action Underdog, which Disney told me opened to $4.1 mil Friday and $4.3 mil Saturday in 3,013 dates for a $12 mil weekend. Universal's other movie in the Top 10, 4 I Now Pronounce You Chuck & Larry, the Adam Sandler-Kevin James laugher, had a weekend take of $10.5 mil from 3,290 runs to pull off a 17-day cume of $91.6 mil. No. 5 went to Warner's Harry Potter And The Order Of The Phoenix whose hot new cume is now $260.9 mil after squeezing out another $9.4 mil weekend starting its 4th week in release. In 6th place is New Line's Hairspray, starring John Travolta in drag, which slowed to a $9.1 mil weekend from 3,115 theaters for a new cume of $78.9 mil. Warner's holdover chick flick with Catherine Zeta-Jones, No Reservations, clung to 7 after cooking up only $6.4 mil weekend (-45% from last) from 2,425 plays for a weak new cume of $19.7 mil.

No. 8 went to the Paramount and DreamWorks pic Transformers, which has finally run out of steam after five incredible weeks at the box office. The battling bots added another $5.9 mil weekend from 2,419 dates for a huge new cume of $296.3 mil, the studio said. It should break the near-impossible $300 mil domestic barrier by next weekend. In 9th place, Paramount's poorly reviewed comedy Hot Rod, starring Saturday Night Live's Andy Samberg as an accident-prone stuntman, barely opened. the studio said it made just $5 mil this weekend from 2,607 theaters. Saturday's per screen average was a pathetic $665, lowest of the Top 10, showing Samberg ain't no young Adam Sandler. And, bringing up the rear of the Top 10, Bratz was the Lionsgate flop everyone thought it would be. The tweener pic barely opened with $1.7 mil Friday and Saturday from 1,509 runs for what was a poor $4.5 mil weekend.

Finally, El Cantante, starring Jennifer Lopez and husband Marc Anthony in the Picturehouse biopic of Puerto Rican salsa sensation Hector Lavoe, debuted at No. 12. Platforming in just 542 theaters, it scored $1 mil Friday and Saturday for a $2.9 mil weekend. The film did so-so with a Saturday per screen average of 1,990, the 4th highest of the weekend. Only Bourne, Simpsons and Miramax's No. 16 film Becoming Jane (playing in 100 venues) did better per screen.

Posted by Nikki Finke on Saturday, August 4th, 2007 at 07:01AM | Permalink |

Sunday, July 29, 2007

Jericho's Siena Goines Needs a Primetime Show This Fall CBS!


Courtesy: Buddy TV

July 29, 2007

As Sarah Mason, Siena Goines was originally known as the “mystery woman” on the television series Jericho. Later, it was revealed that she was a former coworker and ex-girlfriend of Robert Hawkins, and was part of a secret CIA taskforce. Tasked to find a package containing a nuclear device hidden in Robert's house, she holds his eight-year-old son, Samuel, hostage to force Robert to turn over the package. She failed, despite her efforts, and ended up dead when Robert's daughter Allison shot her in the back. In the coming months, fans will be able to catch her on the big screen.

The former Jericho actress has just completed filming the movie Hunter's Moon, a science fiction horror story about four young couples drawn to a remote dune. Their outing turns out to be a night of terror when a brutal hunter attacks them as human specimens for an alien experiment. Also included are Dan White, Devon Sawa and Matthew Lawrence.

Currently in post-production stages is the film The Mannsfield 12, where Siena Goines plays Nadine. The drama centers on a group of inmates and their underestimated act that made them legendary.

Additionally, the former Jericho actress stars in the comedy Throwing Stars. She plays Lyn Hutto in a story about four longtime friends who put their bond to the test over the course of one wild night. The film features Scott Grimes (ER), Jason London (Wildfire), Scott Michael Campbell (ER), and David DeLuise (3rd Rock from the Sun).

Before acquiring a string of movies projects, Siena Goines was cast as Christy in the movie Jekyll. The remake featured Matt Keeslar as Doctor Henry Jekyll and the computer-generated alter-go Edward Hyde in a spree of uncontrollable impulses and murder extravaganza.


-Kris De Leon, BuddyTV Staff Columnist
(Image courtesy of CBS)


Editor's Note: CBS what are you waiting for? This young actress has graced your successful series. "The Young and Restless", "Jericho" and "Judging Amy". What are you waiting for? There are few primetime series that feature African Americans in starring roles and this young woman is in need of a show of her own. I'd watch. In fact, I only watch "Jericho" for Siena Goines.

Saturday, July 28, 2007

BIG SCREEN 'SIMPSONS' BLOW OUT: $30M Friday Way Bigger Than Expected

simpsonsacross.JPG

SATURDAY AM: What a shocker! I'm told 20th Century Fox's official Friday estimate shows The Simpsons Movie made $30 million Friday -- or what the studio hoped its toon would make all weekend -- and could have an $80 million weekend. simpcircle.jpgThat's more than Transformers made on its opening day and best single day this summer, and good enough for The Simpsons to slot into the Hollywood's Top 17 opening days of all time (right behind the $30.1 mil of Star Wars: Episode II - Attack of the Clones). But the well reviewed (a score of 88% positive critiques on Rotten Tomatoes) and wide release (playing in 3,922 North American theaters) pic managed an outstanding per screen average of 7,649 Friday. It's also playing huge overseas. (See below.) Some naysayers didn't believe the movie could pack a punch, given that The Simpsons is all over television on network and in syndication. Hah! The analysts I'm talking to attribute the film's success to Fox's omnipresent marketing (including Homer opening this week's Tonight Show and earlier American Idol as well as that inspired 7-Eleven cross-promotion). homer2.jpgPic insiders have nothing but praise for the year-long marketing and distribution campaign which Fox orchestrated throughout the News Corp empire. "The old saw of synergy within media companies, that was never full realized before, paid off here," a source told me. And remember: Fox says the pic cost only $75 million (without marketing) because so much animation work was done in South Korea. The Simpsons Movie opened day and date in some foreign territories, too, where it was smashing records for a toon (in Australia) and a tentpole (in Argentina). Asia and Latin America were trending huge. In England comparisons were being made to Lord Of the Rings, and in France to Transformers.

zeta.jpgThe No. 2 movie, Universal's buddy comedy with Adam Sandler and Kevin James I Now Pronounce You Chuck And Larry stayed strong (dropping only -51%) and made $6.2 million Friday from 3,501 venues. Its new cume is $58.7 mil because there haven't been enough laffers at the box office this summer. New Line's Hairspray slowed (-53%) to stay No. 3 and take in $5.2 mil Friday from 3,121 runs for a new cume of $48.9 mil. In 4th place, Warner's Harry Potter And The Order Of The Phoenix raked in another $5.1 mil Friday from 4,005 dates its 3rd weekend for a hot new cume of $229.8 mil. Another Warner pic, No Reservations, starring Catherine Zeta-Jones, opened with $2.4 mil Friday from 2,425 runs for 4th place. That's less than analysts expected (and the experts didn't expect much). Bot battle and #6 Transformers, from DreamWorks and Paramount, boasts a big new cume of $276.2 mil after raking in another $3.2 mil Friday from 3,349 theaters on its 4th weekend out. After five weekends, Ratatouille took the 7th spot as Disney and Pixar's toon made $2.1 mil Friday from 2,934 venues for a new cume of $174.5 mil. Fox's Live Free Or Die Hard hangs in for a 5th weekend in 8th place, taking in $1.5 mil Friday from 2,271 runs for a new cume of $121.2 mil. Lindsay Lohan's horror flick I Know Who Killed Me wasn't helped by all the (negative) publicity she received this week: the Sony pic eked out only $1.3 mil Friday from 1,320 plays. I'll tell you this: I know who's killing Lohan's career. And, rounding out the Top 10, horribly reviewed laugher Who's Your Caddy? from The Weinstein Co and MGM, debuted with $950K Friday from 1,019 venues.

simpsonspopcorn2.JPGFRIDAY PM: "This could be much bigger than anyone thought," a 20th Century Fox source said to me this afternoon. Not just domestically but overseas, too. (See below.) Because very early reports indicate The Simpsons Movie is looking to debut around $27 million today. That's right -- in Transformers opening day territory! If this holds true, it means Homer, Bart, Marge and family on the big screen could wind up with a $70+ million opening weekend. That's more than twice what 20th Century Fox was expecting and far more than my box office gurus were projecting. (See my previous: Predictions: Homer & Bart Big!) I just went back and looked what I predicted for The Simpsons Movie back on May 1st: Kudos to Jim Brooks and Fox for keeping much of The Simpsons Movie’s plot a secret, which I predict will help it become the biggest non-sequel movie of the summer. C’mon, who’s not gonna see this pic here and overseas?

Monday, July 23, 2007

Kim Clement predicts that someone will be found in a cave in Pakistan.



FROM KIM CLEMENT:

July 14, 2007 — Nashville, TN

North Korea is only the beginning of the submission of the nations. China is looking upon this nation now and saying if they are afraid and they are internally divided and can not fulfill what they had said concerning Iraq and the Middle East then we shall surely stand to win against them. Again says the Lord what do I say about this? A leader in the East, in Asia, shall suddenly topple over in the presence of cameras and the network. God says this will be a sign. This must not be taken lightly. During these summer months and before the election I will be exposing certain ones. Three to four nations that I've said before shall follow suit. They say our arms will be laid down. America shall finally win the battle even though you will continually be hated. Hatred says the Spirit of God shall never conclude its action successfully. I have now sent a Word to this nation again and I have done it over and over. I will cause these next few months to be months of great victory and exposure, the secrets of the Lord shall be revealed. I will capture those who have captured. I will terrorize those who have terrorized. I will bring justice over and over and over. America shall be on her knees because of the wind that I am sending that shall cause a cleansing to take place that could never have happened had there not been the sound of victory in the voices of the people as they praised in the midst of fear, in the midst of terror. Rejoice for this year many great breakthroughs will cause My people to say, it has begun—it surely has begun. The season has come, it is upon us, and it has begun.

I will open up the heavens send the rain and the wind. Can you hear the sound; can you hear the sound of the wind? I will send the wind to you just like the day of Pentecost. As they were in one accord they heard the sound that came. Hear the sound I'm sending to this nation. I'm sending a sound of triumph, of victory to this nation. I'm sending a sound of victory to your nation. Your accusers have said they will come, the terrorists have said they will come and destroy in the summer months of this nation. Watch me says the Lord, I will protect this nation again. I will reveal and expose where they are hidden, again and again and again. Do you hear the sound of victory for this nation? I can hear the sound of a mighty army. Can you hear the sound? I can hear the sound of a mighty army, tens of thousands of angels. Can you hear the sound?

Your military power shall never die, nor shall it wane but the spiritual militant power has risen above your natural military power. God says because of this I will speed up and accelerate your victory. Hidden in the third cave of the Pakistan border I will sniff out and draw out many of those that have hidden themselves. There will be two deaths in Pakistan; the Spirit of God says it shall cause havoc. I will bring peace to this nation as it has never ever experienced. Do not fear your borders are protected, your schools are protected, your children are protected, your jets are protected, your air space is protected, your seas are protected, your land is protected, My people are protected. For this day the God of the universe hears your praise and sends the fire of God to Pakistan. It is time for the exposure says the Spirit of the Living God. Rejoice America your restoration has begun. Now I will pay back says the Spirit of the Lord for vengeance is mine. I will pay back your enemies by putting you on the top; economically I will drive you back to the highest place as I do what I'm going to do with your energy crisis. You will have the Middle East come to you and say will you share with us what you have discovered.

What is this that I hear, an independent that arises – a switch in power? God says listen, righteousness shall prevail in the streets of America and in the White House nothing will be determined without My counsel. They shall plan but ultimately it is I says the Lord that will determine the outcome. There will be a very strange move of My Spirit amongst the children of this nation. Come to me like a little child and I will raise you up. There will be praise in summer. There will be rain in summer. There will be joy in summer. I'll send the rain and the wind. The spirits of men will pray, the spirits of men will rejoice it's the end of a season the beginning of something, everyone's been waiting for. America your greatest hour is upon you.

Editor's Note: Read it ya'self. Let's see if this happens. Clement is pretty accurate. While he is not specifically saying that Osama is one of those hiding in the third cave, we'll have to wait and see.

Sunday, July 15, 2007

VINYL IS BACK?


Back in the groove: young music fans ditch downloads and spark vinyl revival

· Sales of 7in singles rise by 13% in first half of year
· New bands and collectors turning to old format

Katie Allen, media business correspondent
Monday July 16, 2007

Guardian

The format was supposed to have been badly wounded by the introduction of CDs and killed off completely by the ipod-generation that bought music online.

But in a rare case of cheerful news for the record labels, the latest phenomenon in a notoriously fickle industry is one nobody dared predict: a vinyl revival. Latest figures show a big jump in vinyl sales in the first half of this year, confirming the anecdotal evidence from specialist shops throughout the UK.

It comes as sales of CD singles continue to slide - and it is not being driven by technophobic middle-aged consumers. Teenagers and students are developing a taste for records and are turning away from the clinical method of downloading music on to an MP3 player.

The data, released by the UK's industry group BPI, shows that 7in vinyl sales were up 13% in the first half, with the White Stripes' Icky Thump the best seller.

Two-thirds of all singles in the UK now come out on in the 7in format, with sales topping 1m. Though still a far cry from vinyl's heyday in 1979, when Art Garfunkel's Bright Eyes alone sold that number and the total vinyl singles market was 89m, the latest sales are still up more than fivefold in five years.

For record stores, the resurgence has meant a move from racks of vintage Rolling Stones and Beatles releases to brand new singles and younger buyers. "The student population seem to be loving the 7in," says Stuart Smith, who runs Seismic Records in Leamington Spa, Warwickshire. He sells 300-600 records a week and is preparing to launch an online store.

"I'm still not sure about the MP3 generation. You can have a full hard drive and nothing to show for it. Record collections are very personal. You can view into a person's soul really," he says.

The customers rummaging through racks at his store, a small room above a skate shop, are students and DJs.

When Mr Smith opened the vinyl shop in early 2005, digital download sales were rocketing and, amid rampant piracy, global music revenues were several years into their current downward spiral.

A shop selling LPs and 7in singles didn't sound like the most promising business plan. But when his employers at the local outlet of music chain Fopp - now closed down - decided to stop selling vinyl it was something he couldn't resist.

"I just couldn't understand why they decided to turn their backs on it. I saw an opportunity to do something I love doing. I've been a collector myself for years," says the 31-year-old. "It's just one of things. It just felt right."

Two years on, the White Stripes' Icky Thump has just notched up the highest weekly sales for a 7in single for more than 20 years. Retailers and record labels put the rising vinyl sales down to bands rediscovering the format and to music fans' enduring desire to collect. It's not unusual for fans to buy a 7in but have nothing to play it on, says Paul Williams at industry magazine Music Week. "It's about the kind of acts that have very loyal fan bases that want everything to do with that act," he says. "They maybe will buy the download to listen to, but they get the vinyl to own. It's looked at like artwork."

HMV agrees that vinyl is back from the brink, and the chain has been rapidly expanding its record racks to meet rising demand. The group's Gennaro Castaldo cites the huge popularity of "indie" bands, such as Franz Ferdinand and Arctic Monkeys, which enjoy loyal followings among teenagers and students, especially during the summer festival season.

"Labels have realised that it's cool for bands to release their music on vinyl, especially in limited edition form, which makes it highly collectible," he says.

London company Art Vinyl has built a whole business out of the format's visual and tactile appeal by selling easy-to-open frames to display records and their sleeves.

For fans, buying and owning a record can provide a welcome change from the anonymity of online downloads, says Art Vinyl's founder Andrew Heeps. "If you go into a record shop to buy something, you feel part of something," he says. "The fact that last year we sold over 9,000 frames to people says an awful lot about where the market is going."

Cara Henn, a DJ and regular Seismic Records customer says going to the store puts her in touch with her peers and has hammered home the vinyl trend. "I've really been getting back into my vinyl. I love it," she says. "I like to hear crackling, as if it's actually real. Especially with drum'n'bass, DJs are really encouraging fans to buy vinyl."

Guardian Unlimited © Guardian News and Media Limited 2007

Wednesday, July 11, 2007

Prince Free Reign Is Shady

Prince

Prince's free album causes storm with retailers

06/30/2007 10:00 AM, Reuters


Prince is to give away his new album for free with a British tabloid newspaper before its official launch, in a move that has caused dismay among music retailers.

Prince's new 10-track CD "Planet Earth" will be included with an upcoming Mail on Sunday, the newspaper's managing director, Stephen Miron, told Reuters on Friday.

The album is not scheduled to go on sale until July 24.

"No one has done this before. We have always given away CDs and DVDs, but this is just setting a new level," Miron said.

Paul Quirk, co-chairman of the Entertainment Retailers Association, said Prince's decision "beggars belief."

"The Artist formerly known as Prince should know that with behavior like this he will soon be the Artist Formerly Available in Record Stores," he said, referring to a period in the 1990s when the funk star, born Prince Rogers Nelson, famously stopped using his name.

"It is an insult to all those record stores who have supported Prince throughout his career. It is yet another example of the damaging covermount culture which is destroying any perception of value around recorded music," Quirk told a music conference in London on Thursday.

The practice of "covermounts," where newspapers strive to lure readers with DVDs and CDs, is used widely in the industry at a time when many newspapers are struggling to keep readers amid the distractions of online news and entertainment.

Miron declined to say how many additional copies were planned by the newspaper, whose circulation is normally around 2.3 million copies, or how much the Mail on Sunday had paid to secure the deal with Prince.

Prince's mew album comes before a run of 21 concerts he will play in London this autumn.

The concerts by the innovative funk artist, who created such groundbreaking works as 1984's "Purple Rain" and 1987's "Sign O' The Times" and has sold an estimated 80 million albums, will be the only shows he performs in Europe this year.

GLOBAL DEAL

Prince has signed a global distribution and marketing deal with Columbia, a unit of Sony BMG, but the UK arm of the business has pulled out of the distribution agreement.

"Given the sheer number of copies we are talking about here it seemed the right thing to do for retailers to become exempt from the deal in the UK," said a spokesman for Sony BMG, the world's second-biggest music company.

HMV Chief Executive Simon Fox told reporters following the music and books retailer's annual results he thought it would be "absolutely nuts" to give the album away for free before its commercial release. HMV saw its profit more than halve as it battled cut-price supermarket and online sales.

The Mail's Miron said the newspaper, whose recent CD giveaways include Peter Gabriel, Dolly Parton, Duran Duran and UB40, was not out to put retailers out of business.

"They are living in the old days and haven't developed their businesses sufficiently. We can enhance their business. They are being incredibly insular and need to move their business on," he said.

The Mail on Sunday is owned by Associated Newspapers, a unit of Daily Mail & General Trust

Sponsors Drop BET's `Hot Ghetto Mess'



Wednesday, July 11, 2007

LOS ANGELES —
At least two companies have pulled ads from the debut of BET's "Hot Ghetto Mess," a series that critics say puts black stereotypes on display but the channel calls "a blend of tough love and social commentary."

State Farm Insurance Cos. and Home Depot asked BET to drop their ads from the series debuting July 25, trade paper The Hollywood Reporter said Tuesday.

Viacom Corp.-owned BET confirmed that sponsors asked to be removed from the show but declined to specify the companies involved.

Other advertisers remain in place and there are no plans to change the series at this point, the channel said Tuesday.

"Hot Ghetto Mess," also called "HGM," combines viewer-submitted home videos and BET-produced man-on-the-street interviews that the channel said in a release are intended to challenge and inspire "viewers to improve themselves and their communities."

"Is my goal to discuss these issues in a format and context that makes people who don't watch the channel comfortable or do it in a way that engages the 18- to 34-year-old viewer and makes them really think about these things?" Reginald Hudlin, BET entertainment president, told the Hollywood Reporter.

The six-episode series is hosted by comedian Charlie Murphy ("Chappelle's Show"). It's based on a Web site that features photos of men and women, mostly black, with extreme hairstyles and clothing typically linked to hip-hop fashion.

Hotghettomess.com was created by Jam Donaldson, 34, a black lawyer who's also an executive producer on the BET show, the Hollywood Reporter said. On the site, Donaldson calls for a "new era of self-examination."

On TV, "Hot Ghetto Mess" includes people of all ethnicities, a network spokeswoman said.

But the show and the web site have drawn accusations of being demeaning to blacks from critics including What About Our Daughters, a blog and audio podcast that focuses on how black women are depicted in popular culture.

The blog called for advertisers featured on a BET Web page promoting "Hot Ghetto Mess" to withdraw support of BET and its properties, and said it would complain to companies that sponsor the series.

"This is just a latest in a prolonged and consistent pattern of BET profiting off of promoting images that malign and degrade African Americans," a posting on What About Our Daughters said of "Hot Ghetto Mess."

Hot Ghetto Mess: About The Show
By Erin T. Jenkins, BET.com Staff Writer

HOT GHETTO MESS premieres, Wednesday July 25 at 10:30 p.m. (ET/PT).

"Hot Ghetto Mess" is an entertaining, tongue-in-cheek examination of the good, the bad and the ugly of Black popular culture.

Utilizing comedy, man-on-the-street interviews, video clips, pictures and music, "Hot Ghetto Mess" aims to shine a spotlight on prevalent images in pop culture and examine what role they play in American lifestyle. "Hot Ghetto Mess" goes where most shows fear to tread.

As host Charlie Murphy guides viewers through shaking booties, thug life, baby-mama drama and pimped-out high schoolers, "Hot Ghetto Mess" will explore what these images really mean to all of us.

Cutting edge, original, relevant and irreverent, "Hot Ghetto Mess" is like the traffic accident you can't look away from. Viewers will laugh. They'll cry. They'll think. They'll learn, and hopefully they'll recognize they've GOT to do better."

This is from the Hot Ghetto Mess Board for July 12, 2007. PLEASE PARTICIPATE IF YOU CAN!

This is an invite to all Hot Ghetto Mess Board Members

We're going to dissect BET and it's cultural significance this Thursday at 9pm (eastern). We would like to hear from folks who suppport BET's product as well as those who feel that the station serves fine minstrel cuisine. Give us a call, live with your thoughts at 646-915-9620, IM/email (via afronerdradio@yahoo.com) or the chatroom feature at afronerdradio dot com. We're pulling no punches, so be there and be square.

http://www.afronerdradio.com

http://www.afronerd.com

Editor's Note: Do I need to say anything why this program is WRONG? Freshly intoxicated on the delusion drug known as Hip Hop, most black youth have no idea of what it really means to have freedom. They have no idea that their tacky crayola colored hair is an offense to those who lost their life in the battle for civil rights. These young women don't even wash their vaginal areas, or pay their bills, but they spread their legs to young thugs who don't care that they aren't clean, and they make children who can't read or write. These children grow up greedy and looking for love. What a formula. So desperate for attention, these children male and female will do anything for attention. From the homosexually charged practice of drooping pants with your butt cheeks barely covered in Dollar Store underwear to the practice of wearing sewn in peacock colored hair like substance, black youth are so lost it ain't even funny. This hot ghetto mess features the antics of gigantic black people who are two minutes away from diabetes and heart disease yet they cover their bodies in clothing fit for the circus and why? Just for the attention. This is a show that the ailing BET Network doesn't need to put on the air. Don't encourage ignorance among a people who will do nothing to become educated business people and contributors to society, we instead need to just get black folks to pick up the paper in their yards and to get them to stop shooting one another.

Sunday, July 8, 2007

EARTH underwhelmed by Pop Extravaganza


By Mike Collett-White

LONDON (Reuters) - They rocked the world, but as the clean-up at nine climate change gigs around the globe begins, many wonder if the galaxy of pop stars did much to change it.

U.S. and British media were generally underwhelmed on Sunday by Live Earth, the mega-concert organized by former U.S. vice president and green campaigner Al Gore, which, though built on the model of Live Aid and Live 8, created a less positive buzz.

In Germany, however, newspapers were more upbeat about Saturday's gigs designed to pressure leaders to sign a new treaty by 2009 that would cut global warming pollution by 90 percent in rich nations and more than half worldwide by 2050.

Several articles examined the green credentials of artists on the day, including Madonna, whose annual "carbon footprint" was estimated at around 100 times the average Briton's.

The News of the World tabloid, Britain's biggest-selling newspaper, detailed estimates of Madonna's carbon emissions from nine houses, a fleet of cars, a private jet and the Confessions tour, calling her a "climate-change catastrophe."

The Sunday Telegraph quoted U.S. reports of her alleged financial links to companies accused of being major polluters.

Her spokeswoman in Britain was not immediately available for comment, but in a statement appearing in the Independent on Sunday, her New York spokeswoman said:

"Madonna's agreeing to sing at the Live Earth Event is merely one of the first steps in her commitment towards being environmentally responsible."

The negative headlines took some gloss off Madonna's widely praised appearance at Wembley Stadium in London, where she sang her specially written anthem "Hey You" before a raunchy performance of three of her biggest hits.

MIXED MESSAGES

The New York Times' online edition on Sunday featured a small picture of the event and a headline linking to "Artsbeat Blog," and in Britain only the Independent on Sunday made anything more than a fleeting reference on its front page.

But in Germany, where Snoop Dogg was among the acts at the Hamburg gig, Live Earth dominated headlines.

"The bottom line is that if nothing else, the issue of climate protection was a lot of fun for two billion people for one day," wrote Bild am Sonntag, Germany's best-selling Sunday newspaper.

Organizers say that in addition to the tens of thousands of fans at the gigs, the television, radio and internet audience could be as large as two billion.

Commentators noted the difficulty in marrying pop music with serious themes like the environment.

"Mixing music and a serious message gives concert a clunky rhythm," was the Washington Post's description of the Wembley gig, arguably the biggest lineup on the day that featured Red Hot Chili Peppers, Metallica and the Foo Fighters.

Performances were interspersed with long gaps, some of them filled by short films on environmental themes.

Many performers were "on message," calling on crowds from Sydney and Tokyo to New York and Rio de Janeiro to cut down on their personal carbon dioxide emissions and recycle.

Yet U.S. comedian Chris Rock expressed the kind of disbelief shared by many on the day that Live Earth would make a lasting difference, even if he was only joking:

"I pray that this event ends global warming the same way that Live Aid ended world hunger," he said in London.

(Additional reporting by Erik Kirschbaum in Berlin)

Editor's Note: Is anyone surprised that this event bombed? There is no real passion for Al Gore's Global Warming issues. Most of us are just trying to pay for gas for our cars and electricity for our air conditioners and fans. In other words, just making it through the day is hard enough without watching rich mostly white celebrities talk to us about recycling. Don't you have to have something to recycle? Yeah, that's what I thought. Last time I looked, the folks around here ain't thinking about recycling the wrapper to the Ramen noodle they're forced to eat twice a day.





Saturday, June 30, 2007

ALARMIST GLOBAL WARMING CLAIMS MELT

June 30, 2007
In his new book, The Assault on Reason, Al Gore pleads, "We must stop tolerating the rejection and distortion of science. We must insist on an end to the cynical use of pseudo-studies known to be false for the purpose of intentionally clouding the public's ability to discern the truth." Gore repeatedly asks that science and reason displace cynical political posturing as the central focus of public discourse.

If Gore really means what he writes, he has an opportunity to make a difference by leading by example on the issue of global warming.

A cooperative and productive discussion of global warming must be open and honest regarding the science. Global warming threats ought to be studied and mitigated, and they should not be deliberately exaggerated as a means of building support for a desired political position.

Many of the assertions Gore makes in his movie, ''An Inconvenient Truth,'' have been refuted by science, both before and after he made them. Gore can show sincerity in his plea for scientific honesty by publicly acknowledging where science has rebutted his claims.

For example, Gore claims that Himalayan glaciers are shrinking and global warming is to blame. Yet the September 2006 issue of the American Meteorological Society's Journal of Climate reported, "Glaciers are growing in the Himalayan Mountains, confounding global warming alarmists who recently claimed the glaciers were shrinking and that global warming was to blame."

Gore claims the snowcap atop Africa's Mt. Kilimanjaro is shrinking and that global warming is to blame. Yet according to the November 23, 2003, issue of Nature magazine, "Although it's tempting to blame the ice loss on global warming, researchers think that deforestation of the mountain's foothills is the more likely culprit. Without the forests' humidity, previously moisture-laden winds blew dry. No longer replenished with water, the ice is evaporating in the strong equatorial sunshine."

Gore claims global warming is causing more tornadoes. Yet the United Nations Intergovernmental Panel on Climate Change stated in February that there has been no scientific link established between global warming and tornadoes.

Gore claims global warming is causing more frequent and severe hurricanes. However, hurricane expert Chris Landsea published a study on May 1 documenting that hurricane activity is no higher now than in decades past. Hurricane expert William Gray reported just a few days earlier, on April 27, that the number of major hurricanes making landfall on the U.S. Atlantic coast has declined in the past 40 years. Hurricane scientists reported in the April 18 Geophysical Research Letters that global warming enhances wind shear, which will prevent a significant increase in future hurricane activity.

Gore claims global warming is causing an expansion of African deserts. However, the Sept. 16, 2002, issue of New Scientist reports, "Africa's deserts are in 'spectacular' retreat . . . making farming viable again in what were some of the most arid parts of Africa."

Gore argues Greenland is in rapid meltdown, and that this threatens to raise sea levels by 20 feet. But according to a 2005 study in the Journal of Glaciology, "the Greenland ice sheet is thinning at the margins and growing inland, with a small overall mass gain." In late 2006, researchers at the Danish Meteorological Institute reported that the past two decades were the coldest for Greenland since the 1910s.

Gore claims the Antarctic ice sheet is melting because of global warming. Yet the Jan. 14, 2002, issue of Nature magazine reported Antarctica as a whole has been dramatically cooling for decades. More recently, scientists reported in the September 2006 issue of the British journal Philosophical Transactions of the Royal Society Series A: Mathematical, Physical, and Engineering Sciences, that satellite measurements of the Antarctic ice sheet showed significant growth between 1992 and 2003. And the U.N. Climate Change panel reported in February 2007 that Antarctica is unlikely to lose any ice mass during the remainder of the century.

Each of these cases provides an opportunity for Gore to lead by example in his call for an end to the distortion of science. Will he rise to the occasion? Only time will tell.

James M. Taylor is senior fellow for environment policy at the Heartland Institute.

Friday, June 29, 2007

Here's Rolling Stone's Obit for the Music Industry --Read it and Weep!

Record sales are tanking, and there's no hope in sight: How it all went wrong

Brian Hiatt and Evan Serpick

Posted Jun 19, 2007 2:29 PM

This is the first part of a two-part series on the decline of the record industry. Today we're including Brian Hiatt and Evan Serpick's report on where the music business went wrong, from the current issue of Rolling Stone, as well as an interactive graphic illustrating the industry's slide. Tomorrow, check back with RollingStone.com for interviews with industry leaders on the future of the music business.

Sales figures courtesy of Nielsen SoundScan

For the music industry, it was a rare bit of good news: Linkin Park's new album sold 623,000 copies in its first week this May -- the strongest debut of the year. But it wasn't nearly enough. That same month, the band's record company, Warner Music Group, announced that it would lay off 400 people, and its stock price lingered at fifty-eight percent of its peak from last June.

Overall CD sales have plummeted sixteen percent for the year so far -- and that's after seven years of near-constant erosion. In the face of widespread piracy, consumers' growing preference for low-profit-margin digital singles over albums, and other woes, the record business has plunged into a historic decline.

The major labels are struggling to reinvent their business models, even as some wonder whether it's too late. "The record business is over," says music attorney Peter Paterno, who represents Metallica and Dr. Dre. "The labels have wonderful assets -- they just can't make any money off them." One senior music-industry source who requested anonymity went further: "Here we have a business that's dying. There won't be any major labels pretty soon."

In 2000, U.S. consumers bought 785.1 million albums; last year, they bought 588.2 million (a figure that includes both CDs and downloaded albums), according to Nielsen SoundScan. In 2000, the ten top-selling albums in the U.S. sold a combined 60 million copies; in 2006, the top ten sold just 25 million. Digital sales are growing -- fans bought 582 million digital singles last year, up sixty-five percent from 2005, and purchased $600 million worth of ringtones -- but the new revenue sources aren't making up for the shortfall.

More than 5,000 record-company employees have been laid off since 2000. The number of major labels dropped from five to four when Sony Music Entertainment and BMG Entertainment merged in 2004 -- and two of the remaining companies, EMI and Warner, have flirted with their own merger for years.

About 2,700 record stores have closed across the country since 2003, according to the research group Almighty Institute of Music Retail. Last year the eighty-nine-store Tower Records chain, which represented 2.5 percent of overall retail sales, went out of business, and Musicland, which operated more than 800 stores under the Sam Goody brand, among others, filed for bankruptcy. Around sixty-five percent of all music sales now take place in big-box stores such as Wal-Mart and Best Buy, which carry fewer titles than specialty stores and put less effort behind promoting new artists.

Just a few years ago, many industry executives thought their problems could be solved by bigger hits. "There wasn't anything a good hit couldn't fix for these guys," says a source who worked closely with top executives earlier this decade. "They felt like things were bad and getting worse, but I'm not sure they had the bandwidth to figure out how to fix it. Now, very few of those people are still heads of the companies."

More record executives now seem to understand that their problems are structural: The Internet appears to be the most consequential technological shift for the business of selling music since the 1920s, when phonograph records replaced sheet music as the industry's profit center. "We have to collectively understand that times have changed," says Lyor Cohen, CEO of Warner Music Group USA. In June, Warner announced a deal with the Web site Lala.com that will allow consumers to stream much of its catalog for free, in hopes that they will then pay for downloads. It's the latest of recent major-label moves that would have been unthinkable a few years back:

  • In May, one of the four majors, EMI, began allowing the iTunes Music Store to sell its catalog without the copy protection that labels have insisted upon for years.

  • When YouTube started showing music videos without permission, all four of the labels made licensing deals instead of suing for copyright violations.

  • To the dismay of some artists and managers, labels are insisting on deals for many artists in which the companies get a portion of touring, merchandising, product sponsorships and other non-recorded-music sources of income.

So who killed the record industry as we knew it? "The record companies have created this situation themselves," says Simon Wright, CEO of Virgin Entertainment Group, which operates Virgin Megastores. While there are factors outside of the labels' control -- from the rise of the Internet to the popularity of video games and DVDs -- many in the industry see the last seven years as a series of botched opportunities. And among the biggest, they say, was the labels' failure to address online piracy at the beginning by making peace with the first file-sharing service, Napster. "They left billions and billions of dollars on the table by suing Napster -- that was the moment that the labels killed themselves," says Jeff Kwatinetz, CEO of management company the Firm. "The record business had an unbelievable opportunity there. They were all using the same service. It was as if everybody was listening to the same radio station. Then Napster shut down, and all those 30 or 40 million people went to other [file-sharing services]."

It all could have been different: Seven years ago, the music industry's top executives gathered for secret talks with Napster CEO Hank Barry. At a July 15th, 2000, meeting, the execs -- including the CEO of Universal's parent company, Edgar Bronfman Jr.; Sony Corp. head Nobuyuki Idei; and Bertelsmann chief Thomas Middelhof -- sat in a hotel in Sun Valley, Idaho, with Barry and told him that they wanted to strike licensing deals with Napster. "Mr. Idei started the meeting," recalls Barry, now a director in the law firm Howard Rice. "He was talking about how Napster was something the customers wanted."

The idea was to let Napster's 38 million users keep downloading for a monthly subscription fee -- roughly $10 -- with revenues split between the service and the labels. But ultimately, despite a public offer of $1 billion from Napster, the companies never reached a settlement. "The record companies needed to jump off a cliff, and they couldn't bring themselves to jump," says Hilary Rosen, who was then CEO of the Recording Industry Association of America. "A lot of people say, 'The labels were dinosaurs and idiots, and what was the matter with them?' But they had retailers telling them, 'You better not sell anything online cheaper than in a store,' and they had artists saying, 'Don't screw up my Wal-Mart sales.' " Adds Jim Guerinot, who manages Nine Inch Nails and Gwen Stefani, "Innovation meant cannibalizing their core business."

Even worse, the record companies waited almost two years after Napster's July 2nd, 2001, shutdown before licensing a user-friendly legal alternative to unauthorized file-sharing services: Apple's iTunes Music Store, which launched in the spring of 2003. Before that, labels started their own subscription services: PressPlay, which initially offered only Sony, Universal and EMI music, and MusicNet, which had only EMI, Warner and BMG music. The services failed. They were expensive, allowed little or no CD burning and didn't work with many MP3 players then on the market.

Rosen and others see that 2001-03 period as disastrous for the business. "That's when we lost the users," Rosen says. "Peer-to-peer took hold. That's when we went from music having real value in people's minds to music having no economic value, just emotional value."

In the fall of 2003, the RIAA filed its first copyright-infringement lawsuits against file sharers. They've since sued more than 20,000 music fans. The RIAA maintains that the lawsuits are meant to spread the word that unauthorized downloading can have consequences. "It isn't being done on a punitive basis," says RIAA CEO Mitch Bainwol. But file-sharing isn't going away -- there was a 4.4 percent increase in the number of peer-to-peer users in 2006, with about a billion tracks downloaded illegally per month, according to research group BigChampagne.

Despite the industry's woes, people are listening to at least as much music as ever. Consumers have bought more than 100 million iPods since their November 2001 introduction, and the touring business is thriving, earning a record $437 million last year. And according to research organization NPD Group, listenership to recorded music -- whether from CDs, downloads, video games, satellite radio, terrestrial radio, online streams or other sources -- has increased since 2002. The problem the business faces is how to turn that interest into money. "How is it that the people that make the product of music are going bankrupt, while the use of the product is skyrocketing?" asks the Firm's Kwatinetz. "The model is wrong."

Kwatinetz sees other, leaner kinds of companies -- from management firms like his own, which now doubles as a record label, to outsiders such as Starbucks -- stepping in. Paul McCartney recently abandoned his longtime relationship with EMI Records to sign with Starbucks' fledgling Hear Music. Video-game giant Electronic Arts also started a label, exploiting the promotional value of its games, and the newly revived CBS Records will sell music featured in CBS TV shows.

Licensing music to video games, movies, TV shows and online subscription services is becoming an increasing source of revenue."We expect to be a brand licensing organization," says Cohen of Warner, which in May started a new division, Den of Thieves, devoted to producing TV shows and other video content from its music properties. And the record companies are looking to increase their takes in the booming music publishing business, which collects songwriting royalties from radio play and other sources. The performance-rights organization ASCAP reported a record $785 million in revenue in 2006, a five percent increase from 2005. Revenues are up "across the board," according to Martin Bandier, CEO of Sony/ATV Music Publishing, which controls the Beatles' publishing. "Music publishing will become a more important part of the business," he says. "If I worked for a record company, I'd be pulling my hair out. The recorded-music business is in total confusion, looking for a way out."

Nearly every corner of the record industry is feeling the pain. "A great American sector has been damaged enormously," says the RIAA's Bainwol, who blames piracy, "from songwriters to backup musicians to people who work at labels. The number of bands signed to labels has been compromised in a pretty severe fashion, roughly a third."

Times are hard for record-company employees. "People feel threatened," says Rosen. "Their friends are getting laid off left and right." Adam Shore, general manager of the then-Atlantic Records-affiliated Vice Records, told Rolling Stone in January that his colleagues are having an "existential crisis." "We have great records, but we're less sure than ever that people are going to buy them," he says. "There's a sense around here of losing faith."

Additional reporting by Steve Knopper and Nicole Frehsée courtesy of Rolling Stone.

ROLLING STONE WRITES MUISIC INDUSTRY'S OBIT

from the at-their-own-hands dept

Yeah, it's not like most of the folks outside of the recording industry didn't recognize this years ago, but Rolling Stone has pretty much summed up the situation in the recording industry by writing what is effectively an obituary for the industry's suicide. There's nothing really new in there, but it hits on a few key points. The music industry is still doing great. There's more music available. Sales of products to listen to music (iPods, etc.) are flying off the shelves. The publishing business, which licenses music to things like TV shows is growing. Concert revenue continues to grow. All of these things were easily predictable back in the Napster days if you recognized that free music made everything else more valuable and expands all those other industries. It's just that the recording industry was unable to recognize this in time to change its business model. The article highlights how its almost entirely the recording industry's own fault. They had a chance to sign a deal with Napster and they backed out, sending people off to tons of other file sharing tools, that were often more underground (just as everyone predicted).

The amazing thing, however, is that the recording industry still doesn't recognize that it did this to itself. The current head of the RIAA, Mitch Bainwol, still insists that piracy is destroying the music industry -- when nothing is further from the truth. The article also quotes his predecessor, Hilary Rosen, who instead blames everyone else. She blames the retailers and the musicians for not letting the record labels change their business models. Of course, she leaves out the part where she lead the charge to sue customers and get Congress to put in place anti-consumer laws that simply drove people away. So, no, there's nothing really new in the article -- but to have the industry's bible declare that the recording industry sealed its own fate is certainly a milestone. Now, can we move on and start focusing on ways to continue to build the new music industry?

Thursday, June 28, 2007

Isiah Washington Speaks Out About His UnFair Firing

Now that Isaiah Washington has been fired from Grey's Anatomy, he wants to set the record straight about his so-called trip to rehab.

"There is no rehab for homophobia – that was just some crap being put out by the network," Washington, 43, tells Newsweek of the treatment he received after using a homophobic slur during an argument with Grey's costar Patrick Dempsey.

"I went into an executive counseling program which many people in this industry know about and go to. They knew what the program was but chose to call it what they wanted to fit their agenda. And more importantly, I volunteered for it because I wanted to understand my fight with Patrick and how it got out of hand like that."

Washington says he even paid half the fee for his treatment, and adds: "I thought [ABC] sending me meant they actually wanted me to succeed and come out on the other end." The network declined to comment for the story.

The actor also describes race as a factor in his downfall. During his fight with Dempsey, he says, "Someone heard the booming voice of a black man and got really scared and that was the beginning of the end for me."

On his subsequent firing: "I apologized and showed my remorse for what I said and for the pain I caused anyone. If a black man can't get forgiveness in this country, when so many other people like Robert Downey Jr. and the governor of California get second and third chances ... I think that says a lot about race and this country where we stand."

Later in the article, he says: "It didn't help me on the set that I was a black man who wasn't a mush-mouth Negro walking around with his head in his hands all the time. … I had a person in human resources tell me after this thing played out that 'some people' were afraid of me around the studio. I asked her why, because I'm a 6'1" black man with dark skin and who doesn't go around saying 'Yessah, massa sir' and 'No sir, massa' to everyone?''

But the Newsweek article says Washington has a reputation in the film industry for lashing out at others, and points out that, several years ago, he had an angry confrontation with his Soul Food producer Tracey Edmonds (who is currently dating Eddie Murphy).

"I have a mind of my own and I do speak it when I feel it's right," he says. "In this business that's considered being difficult and hard to deal with."

Editior's Note: You have no right to freedom of speech in this country when it comes to gays and lesbians--they are protected territory when it comes to criticism. You have no right to hate same sex acts.

Wednesday, June 13, 2007

Gays Upset Over Travolta's role in "HairSpray"


Tired weirdo John Travolta ill-cast as Edna Turnblad in "Hairspray"

The editor of a major gay publication in the US claims to have attracted the ire of the "church" of Scientology after calling for a boycott of the musical Hairspray remake starring John Travolta.

Kevin Naff, editor of the Washington Blade, claims gay Scientoligists have attacked him for stating in a blog on the remake of the John Waters classic that Travolta had "no business reprising an iconic gay role, given his cult's stance on gay issues".

Scientology has frequently been accused of hostility towards GLBT people and trying to "cure" homosexuality through reparative therapy.

Scientology's founder, L Ron Hubbard wrote in wrote in his 1951 book Science of Survival: Prediction of Human Behavior that, "Such people should be taken from the society as rapidly as possible… for here is the level of the contagion of immortality and the destruction of ethics. No social order will survive which does not remove these people from its midst."

Travolta is a prominent member of Scientology, which also boasts Tom Cruise, Kirstie Alley, Lisa Maria Presley and Kelly Preston in its celebrity stable.

The remake of Hairspray is based on the hugely successful Broadway musical adaptation.
The original Waters film starred the late Divine in the role of Edna Turnblad, reprised by Travolta, and launched the career of Rikki Lake, who played daughter Tracy Turnblad.

Editor's Note: The hubbub about Travolta playing Edna Turnblad is emblematic with the problem we all face with gays in this country--you've become full of yourselves and far too serious. John Travolta is an actor. People act in movies. If you don't understand this basic priniciple about movies and plays and tv shows, you'll be lost. One does not need to be gay to play gay and one doesn't need to embrace the sexuality known as homosexuality. Remember this is a sex act first and a culture secondarily. Travolta is ACTING and not trying to live as a gay person. To go a step deeper, when one remakes a play or movie, you don't have to by law do it the same way it was done the first time. Soooooooo, Travolta albeit ill-cast, is a bad actor in a bad movie playing a bad drag queenish looking mother. The first mistake here, re-making the freaking play which was based on the first film. This reeks of unoriginality which is what everyone should be angry about.

Tuesday, June 12, 2007

Non-Prophets

by: G. Craige Lewis - aka The Messenger


The devil wants to "weaken the nations" which is really saying that he wants to weaken the foundation of holiness in our local churches. Don't you understand that the "Mega" conferences and the "superstar pastors" are weakening the local church? Sheep are being stolen and reprogrammed from the truth that they may learn in their smaller, local assemblies, to the prosperity messages of the big time preachers. If Jesus avoided fame, then why are these Mega star Bishops seeking it? Why are they starring in movies and recording CD's and promoting themselves so heavily? The local pastors with smaller memberships are suffering because the famous preachers are dwarfing them by compelling their sheep to follow the conference liars and celebrity preachers instead of tithing and being faithful to their local assemblies. The big time bishops are taking money from EVERYONE's members instead of encouraging them to support their local assembly. And they are mixing the world and the church to make more money and gain more fame, while all along promoting sinful, sexual, demonic atmospheres and celebrities. These celebrities even have special parking spaces and get special treatment in their churches while the sold out Christians get treated like crap and cannot even spend a moment with their pastors without paying for it. You cannot even log onto these superstar Bishop's websites without joining financially like a Porn site! These men are money hungry! They are promoting sinfulness and living sinfully behind closed doors.


God forbid we begin to create sin to reach people! God forbid we as a church will sit back and allow men to take the righteousness of God and turn it into a money making, sin promoting vehicle that fattens the pocket of the elite while it destroys the foundation of holiness that God placed in our church. The bible said that this day would come. Here are some things that the bible stated thousands of years ago about our perilous times:


-Men would creep into the church, posing as prophets and preachers, but would begin to turn the grace of God into lasciviousness. -Jude 1:4

-They would begin to raise money, without giving an account to anyone as to where the money is going. -Luke 19:46

-They would begin to creep into the homes of silly women that need a "word" but will never get free from their sin. -2Tim. 3:6


-They would not reproduce, but be spiritual mules that cannot reproduce or give birth to men that could lead others, thus they will rely totally on themselves and attempt to Pastor the nation through the media! -Ex. 32:13

-They will encourage sheep to hear their voice instead of the voice of their own shepherds and they would fleece the sheep against the wishes of their own shepherds. -Jer. 23:1


-They will get richer and richer while people give money to them without any accountability as to where the funds are going and how much is really needed to perform successful ministry works.-Ezek. 34:2

-They will preach to millions and yet have no compassion to commune with them and become the opposite of Jesus (anti-christ) by making themselves unaccessible to their own sheep while promoting themselves to the world. - Matt. 9:36


-They will promote the sin of the world and call it "being real" or "reaching the lost at all cost" and when true men of God stand up against it, they are labeled Pharisees or religious.-Jude 1:10


-They will compromise the truth by preaching feel good messages to get money and sell media, while the true gifts of the Holy Ghost are denied and not operative. No healing, no deliverance, no true move of the Holy Ghost that sets men free from sin. -2Tim. 4:3


-They will accept homosexuality/lesbianism. It will thrive in their own churches, homes, and even within THEM! Homosexual singers and performers would be welcomed in their churches and on their platforms to perform while transferring spirits throughout their congregations. -Jude 1:4


-They will begin to refer to Jesus as the "Universal Spirit" or "Spirituality" instead of calling his name out and making reference to who he really is. Spiritualizm will become the vehicle that drives their campaigns instead of Christ being their purpose. -1John 4:3


-The local church would become second rate to these national, mega ministries and local pastors will lose credibility in comparison to these financial empires. The Sunday morning sermon becomes second best and the conference sermon will be promoted as the true "word". Eph. 4:14

-Sheep will no longer be able to know the voice of their shepherd but will begin to be scattered because they don't know what voice is speaking to them. Catch phrases like "I don't know who I'm talking to" or "I'm talking to somebody in here" will be used to distance the sheep from the shepherd and excuse the fact that a true prophet of God always knows who he is talking to! - John 10:27


-All kinds of conferences will emerge and flourish, because the conference can do something that Sunday services cannot do, and that is CHARGE FOR ADMISSION!' -Matt. 21:13


-Pastors and preaches will begin to model the formula of the television mega-minister and will begin to alter the plan that God may have for them by modeling the plan of men that are financially successful, but spiritually poor. Col. 3:22


-The television will begin to paint a picture of greatness and make preachers feel above reproach and rebuke. They will have a word for you and your home, while their own homes will be plagued with homosexuality, sexual perversions, divorce, fornication and adultery. -1Tim. 3:4


-Their churches will be models of their homes. Million dollars facilities with godlessness and sin abounding within. The fruit in their churches will reflect the fruit of their personal lives.Gal. 6:3

We must contend for the faith people of God. The world is labeling us as a bunch of glory seeking, selfish people because the men we have supported and followed are promoting sin and selfishness. I encourage you to stand against the enemy on this one. Stop supporting ministries that are promoting the very things that we should be fighting against. Stop sowing into these billion dollar mega preachers and churches and sow into your local church! Turn the TV off and listen to the voice of your own shepherd because we are getting to a place where all voices cannot be trusted. When you support these Mega ministries and they support sinful people, you are encouraging and supporting the promotion of sin and foolishness.

G. Craige Lewis - EX Ministries